kayla ✧ 18 ✧ she/her

held down like an angel with no wings, I want to fly again

blackfairypresident:

you could curse a police officer out, kick their car, throw a temper tantrum and throw trash. and that still doesnt mean they get to kill you. what the fuck is wrong with yall? why do you think police get some special license to kill when they get disrespected?

if they cant do their job without murdering unarmed people, they dont deserve their badge, or anyones respect.

deanendverse:

mother, make me, make me a bird of prey
so I can rise above this, let it fall away
mother, make me, make me a song so sweet
heaven trembles, fallen at our feet

(Source: archived8253)

Spoil the ending of your favorite movie with no context.

(Source: frist--xvi)

How to make a character’s death sadder

the-right-writing:

1.  Don’t have them die of old age after a long, fulfilling life. Many people don’t even think of this as sad (note that this can still work if you have enough of the other factors).
2.  Leave one of their major goals unfinished. The more enthusiastic they are about completing the goal, the sadder.
3.  Give them strong relationships with other characters.
4.  Make them fight against whatever is causing their death. Their ultimate loss is sadder if they struggle.
5.  Kill them in the middle of their character arc.
6.  Don’t describe their funeral in detail. Maybe it’s just me, but I find that long descriptions of funerals kill the sadness.

highs0ciety:

arabbara:

R.I.P. The 2976 American people that lost their lives on 9/11 and R.I.P. the 48,644 Afghan and 1,690,903 Iraqi and 35000 Pakistani people that paid the ultimate price for a crime they did not commit

this is the only september 11th post I’m reblogging

melthedestroyer:

there’s a big difference between “i’m sad because a character i was emotionally invested in was killed off” and “this character’s death served no purpose, was used for shock value, and is the product of bad writing and i’m upset about that”